Works which have used it as a tag:
ACT 6 ACT 3: Canceling the Download by calumTraveler
Fandoms:Stargate SG-1, Stargate Atlantis, Stargate - All Media Types, Homestuck, Hiveswap, Power Rangers RPM, Sword Art Online, Myst Series
27 Sep 2019
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Summary
And so the Machine did observe the people before him, and he scoffed, thinking that they could ever possibly defeat him and his armies. 'The idiots. The fools. Bugs to be swatted and Squashed.'
And thus did the Machine declare them obsolete, and deserving of death. And he raised his arm and thus did he spread his influence towards them- a sickening gleaming red light falling down from the heavens upon which he sat.
Doom and Death, he decreed.
Doom and Death, for his Kingdom would be of Machines ruling a dead land and a dead land only.
Series
- Part 10 of Stargate: Alternia
- Part 16 of The Carnation's Rein
- Language:
- English
- Words:
- 249,296
- Chapters:
- 75/75
- Comments:
- 188
- Kudos:
- 32
- Bookmarks:
- 2
- Hits:
- 1186
Big Girls Don’t Cry by HoneyPopped_mp
Fandoms:A Hat in Time (Video Game)
30 Jan 2021
Tags
Summary
What would happen if your entire childhood was different? If you were raised by a different person, in a different place? Would you be the same person you are now... or someone else entirely?
An AHiT AU based on the concept of Hat Kid being raised by Queen Vanessa.
- Language:
- English
- Words:
- 64,867
- Chapters:
- 22/?
- Comments:
- 142
- Kudos:
- 378
- Bookmarks:
- 37
- Hits:
- 6342
In March 2004, in collaboration with the Center for Medicine, Humanities, and Law, the Townsend Center sponsored a week-long residency with Dutch physician and writer Bert Keizer. Dr. Keizer is particularly known for his book, Dancing with Mr. D., a personal account of his work with the terminally ill in an Amsterdam critical care facility.
Cannabis, Forgetting, and the Botany of Desire includes the proceedings of several events scheduled by the Townsend Center in celebration of Michael Pollan's residency as Avenali Lecturer for the 2002 Fall Semester. This Occasional Paper includes transcripts of the public lecture Pollan gave as well as the comments of a panel organized to explore the environmental impact of food production in general.
Migrations: The Work of Sebastião Salgado was one of several events scheduled by the Townsend Center in celebration of Sebastião Salgado's residency as Avenali Lecturer for academic year 2001–2002. Planned to complement the Berkeley Art Museum exhibit, Salgado’s lecture—reproduced here in a slightly edited form—was followed the next day by a panel of commentators whose remarks are also included in this Occasional Paper.
Eva Hoffman considers the current preoccupation with memory—as opposed to its referents (history, experience)—and particularly with memory of the Holocaust. She proposes that the intense absorption with memory has largely emerged from the “second generation,” i.e., from those for whom the Holocaust (or other disturbing pasts) has been a crucially formative event, yet one that they themselves did not experience.
Stacking, a new downloadable game by doublefine, was recently announced-you star as charlie blackmore, a russian matroyshka doll, able to stack into other dolls that populate his fictional 1930's era world in order to solve challenges and progress through the game-stacking is the brainchild of lee petty, my old art director at crystal. Since 2003 Aaron Van Dyke and his wife Peg Brown have devoted two rooms of their Uppertown Saint Paul home to Occasional Art—a contemporary gallery. Occasional takes its name from two meanings of this word: an exhibition is an occasion and the exhibitions happen occasionally. Over its four years Occasional has shown the work of local.
Seeing the Difference brings together the texts of a two-day institute on death and dying, aimed at facilitating an interdisciplinary conversation between artists, humanists, and medical practitioners. The project proceeds from a doubled sense of “difference”: a view of death as separation or “difference,” and an acknowledgement that the various disciplines also view death “differently,” developing languages that are too often particular to their own fields.
Occasional Artist Meaning
Traditions of Conversion historicizes and texturizes Descartes’ conversion with a vibrant inquiry into early modern European conversion narratives. In the end, Grafton effectively troubles Descartes’ self-portrait as the embodiment of disembodied reason with an examination of Descartes’ autobiographical notes, which record that the foundations of his new philosophy lay not in reason but in a dream.